SHE POSITIONS HER CREATIVE DIRECTION IN DESIGN AND MUSIC AS A SITE OF CRITICAL INQUIRY THAT CARRIES NOT ONLY INDIVIDUALITY BUT ALSO EPISTEMOLOGICAL WEIGHT. HER PRACTICE UNFOLDS AT THE INTERSECTION OF SPATIAL PRACTICES, ARCHITECTURE, SOUND, AND LIVE PERFORMANCE, WHERE STRUCTURE IS TREATED NOT AS A NEUTRAL CONTAINER, BUT AS AN ACTIVE AND AFFECTIVE FORCE.
EMERGING FROM ARCHITECTURAL THINKING AND SPATIAL PRACTICES, HER APPROACH IS INFORMED BY A SENSITIVITY TO STRUCTURE AS A FORM OF “GENTLE VIOLENCE.” LINX IS BUILDING HER ART WORLD BY MANUFACTURING HER ARTWORK AND COMPOSITIONS, DEVELOPING A LANGUAGE THAT FOREGROUNDS TENSIONS BETWEEN MATERIAL, PRESENCE, POWER, AND PERCEPTION.
CURRENTLY COMPLETING A CONTEMPORARY ART DEGREE AT CENTRAL SAINT MARTINS, LINX MOVES BETWEEN LONDON’S ART SPHERES, WHERE HER WORK CIRCULATES AS BOTH CULTURAL PRODUCTION AND EMBODIED PROPOSITION.
PRESS
(26) OBTUSE ARCHIVE
(26) METAL MAGAZINE
(26) FAD MAGAZINE
(25) SABUKARU.ONLINE
(25) OFFICE MAGAZINE
EDUCATION
(27) MA CONTEMPORARY PHOTOGRAPHY
CENTRAL SAINT MARTINS
UNIVERSITY OF THE ARTS LONDON
(24) BFA DIGITAL MEDIA ARTS
SCHOOL OF FILM AND TELEVISION ARTS
XI’AN JIAOTONG-LIVERPOOL UNIVERSITY
(20—24) “EXCELLENCE” (TOP 5%)
FIRST CLASS HONOURS (GPA 3.9)
INTERNSHIP
(24) ROCKBUND ART MUSEUM
SHANGHAI
OPERATION AND DESIGN
(23) ARTREVIEW MAGAZINE
SHANGHAI
EDITORIAL